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From Piety to Romance: Islam-Oriented Texts in Bangladesh. Identitas dan Kenikmatan: Politik Budaya Layar Indonesia. Weintraub (ed.), Islam and Popular Culture in Indonesia and Malaysia, London: Routledge. “Upgraded Piety and Pleasure: The New Middle Class and Islam in Indonesian Popular Culture.” pp. Representation Cultural Representations and Signifying Practices. Modernity an Introduction to Modern Societies. Selections from Prison Notebooks of Antonio Gramsci.

The United States: Colombia University Press. New York: Oxford International Publishers Ltd. “Commercial Islam in Indonesia: How Television Producers Mediate Religiosity among National Audiences.” International Journal of Asian Studies 11(1):1–24. “Teori Postkolonial dalam Konteks Identitas.” Academia.Edu. New Media in the Muslim World: The Emerging Public Sphere. Jilbab traveler modern female Muslim Asma Nadia Islam popular

On the other side, the wearing of the veil becomes a distinction and provides such negotiation space and illustrates the hegemonic masculinity of patriarchal culture. The ambition to travel around the world accompanied by its inherent attributes represents the figure of “ jilbab traveler” as an agile woman, while hijab (veil) presents an image of a pious woman. Applying text analysis focusing on three works of Asma Nadia’s novels, namely The Jilbab Traveler Assalamualaikum Beijing Jilbab Traveler: Love Sparks in Korea, this article reveals that Asma Nadia illustrates " jilbab traveler" as both agile and pious.

The theme of Jilbab traveler is one example. Her works in novels, films and soap operas have succeeded in combining modern elements with Islamic symbols and values. Asma Nadia is one of the actors who is become one part of those phenomena. Following the fall of the New Order era, which encouraged media development and openness, Islam was positioned as a dominant identity in public spaces.